Danae formed the subject of tragedies by Aeschylus, Sophocles, Euripides, Livius Andronicus and Naevius.
Neither the Petimetra nor the Lucrecia (1763), an original tragedy still more strictly in accordance with French conventions, was represented on the stage, and two subsequent tragedies, Hormesinda (1770) and Guzman el Bueno (1777), were played with no great success.
Some of his finest tragedies were written for her, but her repertoire was not confined to them, and many an indifferent play - like Thomas Corneille's Ariane and Comte d'Essex - owed its success to "her natural manner of acting, and her pathetic rendering of the hapless heroine."
He wrote tragedies also, which Virgil (Ed.
The verse shows great facility of metrical composition, but a considerable portion of it is transferred from the tragedies of Seneca.
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