The so-called Orphic Poems, still extant, are of much later date, probably belonging to the 4th century A.D.; they consist of: (I) an Argonautica, glorifying the deeds of Orpheus on the " Argo," (2) a didactic poem on the magic powers of stones, called Lithica, (3) eighty-seven hymns on various divinities and personified forces of nature.
Though the moralization of gods has only proceeded pari passu with the moralization of mankind, the deities of the more advanced nations are perhaps felt by them to be more terrible and more difficult of access than the divinities of lower races; herein lies one explanation of the power of the priesthood.
In the Phigalian legend, no mention is made of the horse Areion, but only of the daughter, who is called Despoina (mistress), a title common to all divinities connected with the under-world.
Although images of the divinities were certainly known, the principal objects of cult in the Minoan age were of the aniconic class; in many cases these were natural objects, such as rocks and mountain peaks, with their cave sanctuaries, like those of Ida or of Dicte.
A special form of this " baetylic " cult in Minoan Crete was the representation of the two principal divinities in their fetish form by double axes.