ASAPH, the eponym of the Asaphite gild of singers, one of the hereditary choirs that superintended the musical services of the temple at Jerusalem in post-exilic times.
Choirs of male and female voices now lead the church praise.
This was done by dividing the communities into choirs, which relieved each other by turn in the church.
The of tencited poems attributed to Nezahualcoyotl may not be quite genuine, but at any rate poetry had risen above the barbaric level, while the mention of ballads among the people, court odes, and the chants of temple choirs would indicate a vocal cultivation above that of the instrumental music of drums and horns, pipes and whistles, the latter often of pottery.
In some cases a failure to understand his meaning led to curious results; for example, the medieval custom, not uncommon in England, of placing rows of earthenware jars under the floor of the stalls in church choirs, appears to have been an attempt to follow out suggestions raised by Vitruvius as to the advantages of placing bronze vases round the auditorium of theatres.