Some early ambones are found in Ravenna, and in the south of Italy are many fine examples; the epistle ambo in the cathedral at Ravello (1130), which is perhaps the earliest, shows a Scandinavian influence in the design of its mosaic inlay, an influence which is found in Sicilian work and may be a Norman importation.
His lacquer-ware is distinguished for a bold and at times almost eccentric impressionism, and his use of inlay is strongly characteristic. RitsuO (1663-1747), a pupil and contemporary of KOrin, and like him a potter and painter also, was another lacquerer of great skill.
The outsides of the principal doorways and their pointed arches are magnificently enriched with carving and coloured inlay, a curious combination of three styles - Norman-French, Byzantine and Arab.
The further enrichment of the object by enamels and inlay of other metals was practised at a very early period by Assyrian, Egyptian and Greek metal-workers, as well as by the artists of Persia and medieval Europe.
He pulled out a drawer and selected a wooden handled letter opener with gold inlay.