The next year, as Hermione in Racine's Andromaque, she had a great success at the Hotel de Bourgogne.
At Hermione, Artemis was worshipped under the name of Iphigeneia, thus showing the heroine in the last resort to be a form of that goddess (Pausanias ii.
This represents the Argive Dorians as having come by sea (apparently from the Maliac Gulf, the nearest seashore to Parnassian Doris), accompanied by survivors of the Dryopes (former inhabitants of that Doris), whose traces in south Euboea (Styra and Carystus), in Cythnus, and at Eion (Halieis), Hermione and Asine in Argolis, were held to indicate their probable route.
The only fact in its history is that the people of Hermione (a city on the neighbouring mainland now known by the common name of Kastri) surrendered it to Samian refugees, and that from these the people of Troezen received it in trust.
Finally, the bucolic poet Quita produced the tragedies Segunda Castro, Hermione and two others, but these imitations from the French, for all the taste they show, were stillborn, and in the absence of court patronage, which was exclusively bestowed on the Lisbon opera, then the best equipped in Europe, Portugal remained without a drama of its own.