His leave-taking of Andromache in the sixth book of the Iliad, and his departure to meet Achilles for the last time, are most touchingly described.
Among the titles of his tragedies are Aegisthus, Lycurgus, Andromache or Hector Proficiscens, Equus Trojanus, the last named being performed at the opening of Pompey's theatre (55).
Amongst the finest of his classical pictures were - "Syracusan Bride leading Wild Beasts in Procession to the Temple of Diana" (1866), "Venus disrobing for the Bath" (1867), "Electra at the Tomb of Agamemnon," and "Helios and Rhodos" (1869), "Hercules wrestling with Death for the Body of Alcestis" (1871), "Clytemnestra" (1874), "The Daphnephoria" (1876), "Nausicaa" (1878), "An Idyll" (1881), two lovers under a spreading oak listening to the piping of a shepherd and gazing on the rich plain below; "Phryne" (1882), a nude figure standing in the sun; "Cymon and Iphigenia" (1884), "Captive Andromache" (1888), now in the Manchester Art Gallery; with the "Last Watch of Hero" (1887), "The Bath of Psyche" (1890), now in the Chantrey Bequest collection; "The Garden of the Hesperides" (1892), "Perseus and Andromeda" and "The Return of Persephone," now in the Leeds Gallery (1891); and "Clytie," his last work (1896).
In the time of Photius the poets usually studied at school were Homer, Hesiod, Pindar; certain select plays of Aeschylus (Prometheus, Septem and Persae), Sophocles (Ajax, Electra and Oedipus Tyrannus), and Euripides (Hecuba, Orestes, Phoenissae, and, next to these, Alcestis, Andromache, Hippolytus, Medea, Rhesus, Troades,) also Aristophanes (beginning with the Plutus), Theocritus, Lycophron, and Dionysius Periegetes.
The heroes and heroines of the Trojan cycle, such as Achilles, Ajax, Telamon, Cassandra, Andromache, were prominent figures in some of the dramas adapted from the Greek.