At Carpentras, under the direction of Convennole of Prato, he studied the humanities between the years 1315 and 1319.
His works, published in twelve quarto volumes at Rome (1747-1751), appeared in more nearly complete editions at Venice in 1767 and at Prato, 1839-1846; also Briefe Benedicts XIV., ed.
P. 168 (Prato, 1823), and Storia della calcografia (Prato, 1831); Lanzi, Storia pittor'ca, ep. i.
Whole volumes might be devoted to the magnificent works in bronze produced by the Florentine artists of this century, works such as the baptistery gates by Ghiberti, the statues of Verrocchio, Donatello and many others, the bronze screen in Prato cathedral by Simone, brother of Donatello, in 1444-1461, and the screen and bronze ornaments of the tomb of Piero and Giovanni dei Medici in San Lorenzo, Florence, by Verrocchio, in 1472.
The works of Carlo Botta are Storia naturale e medica dell' Isola di Corfu (1798); an Italian translation of Born's Joannis Physiophili specimen monachologiae (1801); Souvenirs d'un voyage en Dalmatie (1802); Storia della guerra dell' Independenza d'America (1809); Camillo, a poem (1815); Storia d'Italia dal 1789 al 1814 (1824, new ed., Prato, 1862); Storia d'Italia in continuazione al Guiccaardini (1832, new ed., Milan, 1878).