The history of Kito warewhich, being for the most part faience, belongs to an entirely different category from the Hizen porcelains K -~ spoken of aboveis the history of individual ceramists 10 0.
After Ninseis time, the most renowned ceramists of the Awata factories were Kenzan (1688-1740); Ebisei, a contemporary of Kenzan; Dhachi (1751-1763), who subsequently moved to Kiyomizu-zaka, another part of Kieto, the faience of which constitutes the Kiyomizu-yaki mentioned above; Kinkzan (1745-1760); Hezan (I69o-~-I72I); Taizan (1760-1800); Bizan (1810-1838); and Tanzan, who was still living in 1909.
They are family names, and though the dates we have given indicate the eras of the most noted ceramists in each family, amateurs must not draw any chronological conclusion from the mere fact that a specimen bears such and such a name.
On the slopes called Kiyomizu-zaka and Goj-zaka lived a number of ceramists, all following virtually the same models with variations due to individual genius.
He summoned to his fief the painter Tangena pupil of the renowned Tanyu, who died in 1674and employed him to paint faience or to furnish designs for the ceramists of Tatsumonji.
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