Naturalists who deal specially with museum collections have been compelled, it is true, for other reasons to attach an increasing importance to what is called the type specimen, but they find that this insistence on the individual, although invaluable from the point of view of recording species, is unsatisfactory from the point of view of scientific zoology; and propositions for the amelioration of this condition of affairs range from a refusal of Linnaean nomenclature in such cases, to the institution of a division between master species for such species as have been properly revised by the comparative morphologist, and provisional species for such species as have been provisionally registered by those working at collections.
The adherence to type, the favourite conception of the transcendental morphologist, was seen to be nothing more than the expression of one of the laws of thremmatology, the persistence of hereditary transmission of ancestral characters, even when they have ceased to be significant or valuable in the struggle for existence, whilst the so-called evidences of design which was supposed to modify the limitations of types assigned to Himself by the Creator were seen to be adaptations due to the selection and intensification by selective breeding of fortuitous congenital variations, which happened to prove more useful than the many thousand other variations which did not survive in the struggle for existence.
At the present day feiy groups of the animal kingdom are so well known to the microscopist, few groups present more interesting affinities to the morphologist, and few multicellular animals such a low physiological condition.
The morphologist may propose classifications, and the embryologist may erect genealogical trees, but all schemes which do not agree with the direct evidence of fossils must be abandoned; and it is this evidence, above all, that gained enormously in volume and in value during the last quarter of the 19th century.
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