Of his work some traces still remain in the richly sculptured bands built in at intervals along the 14th-century façade on the Rio, and part of the handsome larch-wood beams which formed the loggia of the piazzetta façade, still visible on the inner wall of the present loggia.
Towards the end of the 14th century, this façade, with its lower colonnade, upper loggia with handsome Gothic tracery, and the vast impending upper storey, which give to the whole building its striking appearance and audacious design, had been carried as far as the tenth column on the piazzetta side.
It consists of two storeys with open colonnades, forming a long loggia on the ground and first floors, with seventeen arches on the sea front and eighteen on the other facade.
From the interior of the court access is given to the upper loggia by a very beautiful staircase of early Renaissance style, built in the middle of the 15th century by Antonio Rizzo.
Between 1547 and 1549 he was employed in the decoration of the Loggia ordered from Lescot for the entry of Henry II.