Osman continued his victorious career against the Greeks, and by his valour and also through allying himself with Keusse Mikhal, lord of Harman Kaya, became master of Ainegeul, Bilejik and Yar Hissar.
At Yasili Kaya, and especially in some pictographic symbols in relief (e.g.
The subjects depicted are processions of figures, human and divine (Yasili Kaya, Euyuk, Giaur Kalessi); scenes of sacrifice or adoration, or other cult-practice (Yasili Kaya, Euyuk, Fraktin, Ivriz, and perhaps the figures seated beside tables at Marash Sakchegeuzu, Sinjerli, &c.); of the chase (Arslan Tepe, Sakchegeuzu); but not, as known at present, of battle.
Both at Euyuk and Yasili Kaya reliefs in one and the same series are widely separated in artistic conception and execution, some showing the utmost naiveté, others expressing both outline and motion with fair success.
In the same way the Pantshen Lama is looked upon as an incarnation, the Nirmana-kaya, of Amitabha, who had previously appeared under the outward form of Tshonkapa himself; and the Dalai Lama is looked upon as an incarnation of Avalokitesvara.