The panegyrics of Aldus Manutius require to be received with some caution, since he was given to exaggerating the merits of his friend, and uses almost the same language about a young Pole named Stanilaus Niegosevski; see John Black's Life of Torquato Tasso, ii.
Shortly after this, in 1564, Tasso was a student there, and was tried for writing a satirical poem.
The list of professors and alumni is long and illustrious, containing, among others, the names of Bembo, Sperone Speroni, Veselius, Acquapendente, Galileo, Pomponazzi, Pole, Scaliger, Tasso and Sobieski.
The calm beauty of Greek tragedy is seen in the new iambic version of Iphigenie auf Tauris (1787); the classicism of the Renaissance gives the ground-tone to the wonderful drama of Torquato Tasso (1790), in which the conflict of poetic genius with the prosaic world is transmuted into imperishable poetry.
Tasso, and the edition of the Schriften in which it was to appear, had still to be completed on his return from Italy; the Riimische Elegien, perhaps the most Latin of all his works, were published in 1795, and the Venetianische Epigramme, the result of the second visit to Italy, in 1796.