The Hirado porcelainso called because it enjoyed the specia patronage of Matsuura, feudal chief of Hiradowas produced al Mikawa-uchi-yama, but did not attain excellence until.
At Hirado the ceramists affected a lighter and more delicatetone than that of the Chinese, and, in order to obtain it, subjected the choice pigment of the Middle Kingdom to refining processes of great severity.
The Hirado blue, therefore, belongs to a special aesthetic category.
So, too, the blue-and-white porcelain of Hirado, though assisted by exceptional tenderness of sous-pdte color, by milk-white glaze, by great beauty of decorative design, and often by an admirable use of the modelling or graving tool, represents a ceramic achievement palpably below the soft paste kai-pien-yao of King-te-chen.
Seven kilns are devoted, wholly or in part, to the new wares: belonging to Miyagawa ShOzan of Ota, Seiffl YOhei of KiOto, Takemoto Hayata and Kato Tomojiro of Tokyo, Higuchi Haruzane of Hirado, Shida Yasukyo of Kaga and Kato Masukichi of Seto.