The longer efforts partake of the nature of translations from sundry medieval compilations like those of Guido di Colonna and Boccaccio, which are in Latin.
He went to Bologna, and studied under the friendly tutelage of Guido; thence he proceeded to Rome, where he painted, in the Cistercian monastery, the "Miracle of the Loaves."
The picture gallery is equally important in its way, affording a survey both of the earlier Bolognese paintings and of the works of the Bolognese eclectics of the 16th and 17th centuries, the Caracci, Guido Reni, Domenichino, Guercino, &c. The primitive masters are not of great excellence, but the works of the masters of the 15th century, especially those of Francesco Francia (1450-1517) and Lorenzo Costa of Ferrara (1460-1535), are of considerable merit.
Maria di Provenzano, a vast baroque building of some elegance, designed by Schifardini (1594) Sant' Agostino, rebuilt by Vanvitelli in 1755, containing a Crucifixion and Saints by Perugino, a Massacre of the Innocents by Matteo di Giovanni, the Coming of the Magi by Sodoma, and a St Anthony by Spagnoletto (?); the beautiful church of the Servites (15th century), which contains another Massacre of the Innocents by Matteo di Giovanni and other good examples of the Sienese school; San Francesco, designed by Agostino and Agnolo about 1326, and now restored, which once possessed many fine paintings by Duccio Buoninsegna, Lorenzetti, Sodoma and Beccafumi, some of which perished in the great fire of 1655; San Domenico, a fine 13th-century building with a single nave and transept, containing Sodoma's splendid fresco the Swoon of St Catherine, the Madonna of Guido da Siena, 1281, and a crucifix by Sano di Pietro.
In the 13th century we find Guido (da Siena), painter of the wellknown Madonna in the church of S Domenico in Siena.
