Even less in touch with the living present were the various prologues and Festspiele, such as Paldophron and Neoterpe (1800), Was wir bringers (1802), which in these years he composed for the Weimar theatre.
They appear to be the spirits of dawn, the earliest bringers of light in the morning sky; they hasten on in the clouds before Dawn and prepare the way for her.
Myths like this kill two birds with one stone, and at once account for the possession of fire by men and for the marking of certain animals regarded as fire-bringers.'
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