It was at the little village of Seto, some five miles from Nagoya, the chief town of the province of Owari, or BishU, that the celebrated Kato Shirozaemon made the first Japanese faience OwarL worthy to be considered a technical success.
Tc such a depth of debasement had the ceramic art fallen in Owari, that before the happy renaissance of the past ten years, Nagoya discredited itself by employing porcelain as a base for cloisonn enamelling.
Very soon, however, the artisans of Nagoya (Owari), Yokohama and Tokyowhere the art had been taken upfound that faithful and fine workmanship did not pay.
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